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Dubfuzz

by Guitars On Drugs

supported by
Andy K.
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Andy K. I’ve always liked dub, or at least when rock and punk bands experimented with it. I also like all of the Guitar On Drugs albums and the tasty licks and leads laid down on them.
I definitely like these hazy afternoon grooves.
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Trinity 04:19
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Drug Buzz 04:20
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Untitled 02:04
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about

[In a 1982 essay, Luke Ehrlich describes Dub through this particular scope: With dub, Jamaican music spaced out completely. If reggae is Africa in the New World, then dub must be Africa on the moon; it's the psychedelic music I expected to hear in the ‘60s and didn’t. The bass and drums conjure up a dark, vast space, a musical portrait of outer space, with sounds suspended like glowing planets or the fragments of instruments careening by, leaving trails like comets and meteors. Dub is a kaleidoscopic musical montage which takes sounds originally intended as interlocking parts of another arrangement and using them as raw material, converts them into new and different sounds; then, in its own rhythm and format, it continually reshuffles these new sounds into unusual juxtapositions]
I read this last year and have spent the time since trying to make my own version of music from outer space - it was so much harder than I thought! Especially trying to fit distorted guitar in the spaces.

credits

released April 18, 2022

Tony Maim

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Guitars On Drugs London, UK

Clean sounding guitars have no place here.

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